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・ Qiaodong District
・ Qiaodong District, Shijiazhuang
・ Qiaodong District, Xingtai
・ Qiaodong District, Zhangjiakou
・ Qiaojia County
・ Qiaokou District
・ Qiaokou Road Station
・ Qiaokou, Changsha
・ Qian Sanqiang
・ Qian shi
・ Qian Shizhen
・ Qian Weicheng
・ Qian Weidao
・ Qian Xinzhong
・ Qian Xiuling
Qian Xuan
・ Qian Xuantong
・ Qian Xuesen
・ Qian yan wan yu
・ Qian Yitai
・ Qian Yuanguan
・ Qian Yunhui
・ Qian Yunjuan
・ Qian Yunlu
・ Qian Yuping
・ Qian Zhengying
・ Qian Zhenhua
・ Qian Zhijun
・ Qian Zhongshu
・ Qian'an


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Qian Xuan : ウィキペディア英語版
Qian Xuan

Qian Xuan (; 1235-1305) courtesy name Shun Ju (舜举), pseudonyms Yu Tan (玉潭, "Jade Pool"), Xi Lan Weng (习嬾翁), and Zha Chuan Weng (霅川翁) was a Chinese painter from Hu Zhou (湖州) (present day Wuxing District in Zhejiang)〔Ci hai Page 1704〕 during the late Song and early Yuan era.
== Biography ==
He started as an aspiring scholar-official during the Southern Song. He had difficulty climbing the ranks of officialdom and when the Mongol-founded Yuan Dynasty took over the southern regions of China in 1276 he effectively gave up on the idea. Although in 1286 his friend Zhao Mengfu accepted a position and so for a time it seemed he could as well, he refused on patriotic grounds, citing old age in order to avoid difficulties. He nevertheless was considered a Song loyalist.
Qian Xuan's life after 1276 was devoted to painting, and he became noted as a "fur and feathers" painter. He was also adept at bird-and-flower painting, character painting, and landscape painting (''shan shui'').〔 He is known for landscapes that hinted at a longing for a return of native Chinese rule, such as in the work ''Home Again.'' He mixed Song realism with an archaic Tang style.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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